brovi says: 'X-Files 2' Gillian Anderson vs. Nazis!

Sat, 15 Mar 2008 07:23:24 +0100

By Gillian Anderson's skirt-tails: Real story behind X-Files: 'Duchovny and The Nazi Boys' scheme millions, a 3-week movie shoot rip off! ...and after 2002. Gillian Anderson fights...

      A NAZI HOLLYWOOD 'X-FILE 2' - FOR REAL


      "I'M TIRED OF FIGHTING IT."
     GILLIAN ANDERSON FEB, 2008

   [Gillian Anderson, Fox studios, a silent coup, old Hollywood,
   the U.S. Government, and Nazism all intersect at the crossroads
   'X-Files 2' movie. Reality lies behind the camera not in front.]

CONWONDER 2008 'X-FILES 2' - BROKEN PANEL A+ ANDERSON HOLDS INTEGRITY
The upcoming movie 'X-Files 2' hype was thrown out to the somewhat excited San Francisco fans at the WonderCon 2008 event last week. Notably, Gillian Anderson was in true Anderson form. Resistance.
The 'horse and pony act' opened with Spotnitz as the first to be introduced. He then entered from stage left. Carter's introduction came next. He then made his entrance. Both uneventfully took their seats side by side at the end of a long table which stretched the length of the stage, facing the Sci-fi audience. The noisy room jumped to being more rowdy and steady with moderate applause and shout-outs.

Anderson then suddenly took the stage without being announced and it was clear that it wasn't by accident. She refused to be heeled onto the stage. The house exploded into riotous appreciation. In the deafening confusion Duchvony hastily slipped onto the stage at a half run coming up from behind her. The roaring crowd then noticeably muted ever so slightly a notch or two. Anderson's stride across the stage was relaxed with calm radiance looking neither left nor right and she seemed almost oblivious to the melee going on around her. Noticing the sudden drop in the sound level (at Duchvony's presence) she whipped a sharp glance over her shoulder, almost flinching at Duchvony's rushing in on her unexpectedly.

A bit startled but not surprised, a spontaneous split second expression snapped across her face in the direction of his feet. It explained that she was less than amused. Simultaneously she remained unruffled, and gracious to a point, just short of striking out in reflex. The stalking Californication celebrity looked done in and unkempt while taking his questionable fill of her thunder. Duchvony pretended not to notice as he found his way to his chair and nervously gaged the room while mechanically acting his jacket onto the back of his chair.

His 'grasping at straws' entrance correlates famously and congruently with his kind of professional ethics. This could be the sum of his inner working dynamics with Anderson as a whole then and now, a microcosm or summation of their decade old rift; a palpably weird and tense moment. His 'X-Files 2' stage debut was an embarrassing and blatantly awkward moment, tripping them both up. It immediately brought back 2002 flashbacks of Duchovny's past intolerable uneasiness with Anderson's popularity overshadowing his own, his then demanding higher pay, and then his exiting from the TV X-Files first (knowing she wisely had resigned.) Not much has changed between GA & DD.

As a prelude to the panel event: For those who may not know, old Hollywood has stalked and threatened Anderson with this project for years. Consequently throughout the panel discussions Anderson displayed a near morose demeanor and tone. She mixed it up with an occasional pouty lip of pointed displeasure. She at one point interjected a show stopping (literally) comment relating to them wanting to fire her during the X-Files TV series. More importantly, her absolute refrain from ever endorsing the movie spoke volumes.

This holds true especially for those who are familiar with the facts. Old corp. Hollywood, along with their X-Files projects, has a tarnished and documented history. It's extremely oppressive. There's no love lost between them and Anderson. This coincides with the hostilities injected and lack of support from coworkers on the set of the TV X-Files, in Anderson's fight against departmental injustices relating to women's rights for working mothers. All the boys on the WonderCon 2008 'X-Files 2' panel showed the world precisely were they stood (or rather sat) in 2002 when Gillian Anderson stood up for herself, more importantly for her first newborn child and for women's rights.

Taking the bizarre further, corp. Hollywood's suspiciously handpicked members [or should we say paid actors] of the audience and/or questions stunk of methodical foul play. On average, Carter and old Hollywood's 'X-Files 2' marketing voice and promoter Duchvony received the sophisticated beautifully scripted glorifying questions. Anderson got the star-struck fan on behavioral meds spewing garble.

IN EXAMPLE (to paraphrase):

'David haven't you almost got your Doctorate Degree and you're famous. Tell us how you do it! Can you please give us your secret?'

'Gillian I've watched you since I was three ...garble, garble ...and X-Files series ...garble, garble ...I wuvvy you ...goobby, wooby, oobby! ...ooh!'

The entire 'X-Files 2' broken WonderCon panel affair [Spotnitz, Carter, Anderson and Duchvony] was captured on video and spread widely on the internet.

The unedited professionally shot full version (that you could actually see unhindered) revealed such a truthful state of affairs indeed. It highly emphasized the reality that this group is so sadly lacking in mutual comradery and continuity that the video immediately disappeared off the net. "Sorry video no longer available" started popping up everywhere and rightly so [that version is no longer to be found.]

This WonderCon panel's dirty laundry of bygone X-Files days captured digitally said it all. No amount of minute Hollywood office congeniality and/or smiles, backhanded jesting (mostly directed at GA by DD to include an oral copulation jab), or poses for the still shot could ever hope to mask the disjointed lameness of this forced gathering of people.

The WonderCon panel video was killed within 24 hrs and replaced with a flood of -the same- half dozen giant beautiful photos showing friendly smiles now plastered all over the net.

These smiley-face mili-seconds caught digitally were carefully chosen and constructed as 'real time' to misrepresent the truth of the moment and paint a facade of solidarity and success. Not even the trick photography of old Hollywood can put that wonderland back together again. Overall this 'X-Files 2' group of broken pieces was an example of forced association at its best. To say the least, they didn't seem excited to be there.

There's little doubt that this 'X-Files 2' movie sequel has all the indicators of cheap graphics, a lot of Connolly and Peet, a little of Duchovny and just a hint of substance, Anderson. Oh, and a substantial amount of public rip off.$ It should give old Hollywood some travel money though, for about a year. Old corp. Hollywood is done in Hollywood CA and it seems they're heading to Africa.

As the biggest diamond merchants in the world, their top executives are already setup in Africa's diamond fields, trying to get us into another fine mess no doubt. We can only hope that the general public won't be interested in supplying a war in Africa so these giant corp. conglomerates can capture their blood diamond market like they captured society's arts/media.
SAME MANAGEMENT SUPPORTED NAZI GERMANY - MAKES 'X-FILES 2' 'X-Files 2' and Nazism: Around the movie lots in LA, CA there's an unspoken understanding. Old corp. Hollywood, their pet Fox studios, along with their X-Files projects are one in the same. Moreover, their governing ideologies are synonymous with WWII Germany. This isn't new news. Far from it!

The Bush/Hollywood conglomerate supported the Nazi Party until 1942. The Bushes financially supported Germany's Nazi war-machine.

Moreover, old Nazi Hollywood assisted in supporting Goebbels' propaganda-machine. PCA chairman Joseph Breen blocked subject matter that might give offense to Berlin and Rome, beginning with a personal intervention in 1934 to stop production of anti-Hitler films until 1940. Last but not least, American producers also complied with certain Nazi regulations, such as dismissing their "non-Aryan" employees in Germany in 1933. Both parties -Bush/Hollywood- ruled supreme and unchallenged until most recently. This is not to say that the Rockefellers and Rothschilds are not the Bush/Hollywood financiers and mentors, then and now.

[For those who haven't done the research, and wish to risk a bittersweet peek into a today's reality of old Hollywood/U.S. Government it's no longer too difficult to uncover.]

CORP. 'X-FILES' HIDES TRUTH - A NAZI BUSH/HOLLYWOOD FLAGSHIP
What does this have to do with 'X-Files 2'? Everything. This also is why Gillian Anderson left the TV series X-Files in 2002, why she left the U.S. immediately thereafter, and why she has been desperately trying to avoid involvement with this suspect group.

She's left no room for doubt concerning this matter over the years via her many quoted comments. Yet, most have been buried by today's quickly fading supreme ruler of the arts/media monopoly 'old Hollywood.'

Fortunately today's U.S. Bush/Hollywood Nazism propaganda regime are on the outs. There was a silent and successful [ongoing] coup September of last year replacing old Hollywood's management with a much more upright management and a democratic group. The silent nation-saving-face-coup has put old Hollywood running for cover and run out of town.

Yet old Hollywood's takeover was/is a conditional surrender due to their deep roots -90 years- supplanted into the U.S. over all economic infrastructure, stock market and political entanglements.

This has left them with a few razor sharp teeth as they exit the stage. Fighting to the end department heads exit with a -still intact- small portfolio of quickly eroding connections, barely legal contracts and years in the making projects [in progress] within the industry.

Sadly there's little recourse for actors who, in large part, have become mere pawns in this behind the camera political and silent nightmare thrashing about in today's arts/media.

An actor's sound judgement and shrewd attorney is a wise weapon of choice when grappling with today's desperate old Hollywood in this changing of the guard in Hollywood CA. For actors and writers it's, 'every man for himself.'

['F**k Hollywood'] is the common retort of the day for working actors when old Hollywood comes calling and bluffing with their old contractual demands and once powerful threats. And, 'keep your friends close and your enemies closer' could not be more important than today to an actor.

Those closest to Hollywood CA studios can't keep from knowing what's up. Old Hollywood services are no longer required. This makes them completely antiquated thus bankrupt. Yet, like trying to evict someone from their home it will take some time to get them out, but they're done.
+ =
'Old Corp. Hollywood - Services No Longer Required' With today's technology regarding movie making equipment [digital camera] and distribution [internet] anyone can become a successful movie-maker making high quality movies cheaply. Cheap.

ACTORS LAY LOW - AND ANDERSON RISKS ALL
It's difficult not to notice that most name brand actors, as Anderson, have been laying as low as possible for some time. Things still have to be sorted out within the takeover.

In 2002 Anderson was about six years ahead of her time. She was one of the first fighters in resistance against our nation's Nazism propaganda voice 'old Hollywood' [calling itself a democracy.] This is not to say that she is -at all- the only actor or artist currently resisting.

Nor is this to say that her intent was to do anything noble for society. Her true motive is a private matter. We don't know if Anderson is a saint or not. We do know this: anyone who supports the Bush/Hollywood regime, even by complacency and especially by unspoken capitulation to the regime's monopoly of the arts/media as their self-serving propaganda machine, is a Nazi or boot-licking sympathizer. Relative to this truth Gillian Anderson stated publicly that TV (old Nazi Hollywood) is ruining society. That is a pretty clear -enough- statement, one which brought her three months of merciless slander in old Hollywood's rags. (She is clearly aware, via her carefully chosen words, that this is, in fact, a gross understatement.)

Few know how far she stuck her neck out on the chopping block by making that published comment and fewer care, unfortunately. Fact is, any resistance is good. This is not to say one should spend too much of their time fighting it because that's like trying to grasp oil. The great oppressing the people will always be with us.

Thing is, we should never support it or feed it. Resist and speak against it when an opportunity shows itself. Anderson would have made a perfect insider spy, as today, in WWII Germany. She seems to always be one step ahead of old Hollywood and holding her own against this giant oppressor 'mother and child' bully.

There are endearing memories indelibly implanted in our hopeful minds via movies produced by old Hollywood. However, even with these Nazi kisses on the brain, they can't fully supplant their false reality within the upright majority. Clearly, over the decades, there have been a small number of endearing projects that old Hollywood financed, amongst a mountain of propaganda flooding every avenue of social and civic life. Racial and class segregation and war is the result of this propaganda: a shitty and broken society. Now what are we going to do about it? Maybe take Anderson's example: We can start by turning off their TV and speaking out. Resist! There's ever mounting indisputable facts relating to who these faceless giant corporate conglomerates are. Their twisted motive and direction reeks of despotism.

There's absolutely nothing even remotely endearing nor honorable about old corp. Hollywood or their partners in crime. Its' infrastructure, motives and direction, ideologies and business ethics are corrupt, and socially undermining and controlling.

U.S. NAZISM VOICE - HOLLYWOOD - ADVERTISES AS DEMOCRACY - ANDERSON'S OPPRESSOR In large part, those here in Hollywood, CA, especially actors, are certainly aware that old corp. Hollywood is totally a 'Nazi Landing' responsible for managing the U.S. Government's iron-curtain media monopoly.

The purpose of this fascist-like propaganda machine has been to crush the voice of the upright majority and dumb down the whole U.S. society while also networking strong in the UK.

Over the last 90 years -until last year- old Hollywood managed to become sole owner and/or controller of all U.S. mainstream arts/media and much of the UK. Moreover, only dreams of global domination would motivate one nation to buy up another nation's arts/media.

The blurred line between corporations and the Government and their merging is definetly key here. "Fascism should more properly be called Corporatism because it is the merger of state and corporate power."

It's critically important when referencing Anderson to picture Fox's 'X-Files 2' management team (crime-dogs) as the Heads for the Bush/Hollywood Nazi propaganda regime. In 2002 when Anderson quit X-Files without or with little notice, it was close to one standing before the Heads of the SS in WWII Germany and telling them to shut their frigging gourd! For real.

In hindsight, it's obvious Anderson's hate for corp. Nazis got her into something way beyond her maturity level. This life threatening battle chose her via her personal convictions not the other way around. However, she did have enough sense to leave the U.S. pronto once she told old Hollywood's X-Files department heads what they could do with their fascist ways and hot garbage juice.

UPRIGHT MAJORITY CONFESSES BUSH/HOLLYWOOD NAZIS - ANDERSON SURVIVES THEM AND X-FILES
It's the upright majority that have no reservations concerning faceless old Hollywood. In the U.S. we're experiencing the reincarnation of Dr. Goebbels' propaganda machine in WWII Germany governed by the Gestapo. Furthermore, if an actor is employed -once- by old Hollywood [ministry of Nazi propaganda] they become its property via mafia-like lifelong contracts. An actor has little if any choice in matters concerning what project old Hollywood dictates if they wish to continue being considered for movie projects or wish to stay employed.

For Anderson to have survived as well as she has and/or at all after denouncing them -and she still does- especially after publicly denouncing them via the very fame that that regime clothed her with is short of a miracle. She's either scary intuitive and/or one of the luckiest people on the planet, or both. Old Hollywood's slander-machine and/or celebrity gossip rags trash her reputation and they continue to blackball her in the industry. Yet, she continues to land on her feet and continues to speak out.

Honestly, truly, Anderson deserves an award for her outward public persona when dealing within old Hollywood's forced events and absolutely for her out playing them at their own game.

GILLIAN ANDERSON SPEAKS OUT
Anderson (in real life) is skilled at the hidden yet blatant one-liner and tell-all facial expression, tone, dress and demeanor. She utilizes this to speak truthfully concerning old Hollywood and their projects. How does an artist survive under a Nazi regime? It seems Anderson is becoming good at this.
   ANDERSON WARNS PUBLIC 'NAZI HOLLYWOOD' - SOCIETY COMPLACENT
Between-the-lines-Anderson has been using her X-File years inside info to warn the public about the U.S. 'iron curtain' arts/media monopoly atrocity since 2002 -in turn supporting the resistance movement here in the U.S. No way is sucking face with Nazis Anderson's thing. Rumor has it that Anderson's off fascism and boot-licking sympathizers. Moreover, she's no longer that mentally burnt actor (worked to death for a decade via TV X-Files) nor is she that same 2002 naive youngster.

GA STILL RESISTS - BECOMES ICON FOR RESISTANCE
Anderson of course is aware how much her hardline 2002 resignation at high ratings cost old Hollywood's bank accounts [millions.] To them that's like Anderson breaking into their house and stealing millions of dollars from their home safe. Old Hollywood has made it blatantly clear that they loathe Anderson to her very core. She is aware of the damning info she possesses and knows that powerful, lawless egomaniac Nazis, who feel they've been slighted, live for vengeance. Moreover, old Hollywood's inherent need to hide their sins also puts Anderson on their top ten list of 'enemy number one.' Over the years Gillian Anderson has inadvertently become a catalyst and icon for resistance against our nation's oppressive status quo. In the end she will be praised for it.

GILLIAN ANDERSON'S STORY - WHAT MOVIES ARE MADE OF
Their faceless constant attempts to control her and have her pay them back for the millions she cost them via her TV X-Files pull-out is quite evident. (Payback: 'X-Files 2'.) Old Hollywood has been stalking, slandering, blackballing and coercing her for six long years. Their recent downfall last year could not have come at a better time for her. However, at this year's WonderCon 2008 they made it perfectly clear their intentions to keep her under their control and working their assigned movie projects.

Acting like old Hollywood's Big Brother, Carter made a very pointed comment at her implying that she will participate in their future movie projects. Her response to this threat was not, like, thank you for the offer. She refused to respond. Their threat is all bluff. Old Hollywood is so over. However, make no doubt about this faceless corporate Hollywood's current history. It proves that these are potentially dangerous people indeed with no soul who will stop at nothing to get their way.

Anderson having intimate knowledge about the old Hollywood regime, worthy to publish in hardback (probably her greatest protection), congruent with her audacious and adverse reaction against them and her willingness to publicly speak out, puts them at risk. She still holds strong favor from a huge majority. She hasn't learned yet -it seems- how to greatly use that in her favor but she's growing.

Furthermore, it's got to be embarrassing for giant corp. conglomerate Nazis to be -metaphorically- castrated or outwitted by a young stand alone female. It must cause them many sleepless nights wondering how to make her stumble. It was inevitable that these nerds would endeavor to make a few more tainted bucks on their way out at her expense. Also revenge and payback relating to Anderson's righteous betrayal against them in 2002 is a factor that can't be ignored. With their days being seriously numbered 'X-Files 2' would be the logical vehicle for a quick tainted buck and vengeance.

It should be Anderson seeking retribution against old Hollywood. They robbed her of first motherhood. Within the first precious years of her first born child's life, she seldom had contact with her. For a near decade Anderson's contract kept her at work 16 to 17 hours a day five and a half days a week for nine moths straight out of the year.

In fact, in large part, due to her well known documented abuse, a law was passed shortly thereafter protecting acting mothers with small children. There is no way they could get away with what they did to Anderson and her child, these days. Now look how many female actors are having babies!

Score one for Anderson. Nazi dorks zip. We can only hope that in their weakened state on all fronts, and with Anderson's lawyers, that she is calling all the shots concerning her coerced humiliation in working with these X-Files Nazis again.

ANDERSON TRUMPS 'X-FILES 2' NAZIS THIS TIME ROUND
Research shows that she's managed to only lend her box-office name -appeal- to it not her time, heart or career. However, we don't envy her having to face the 2002 perpetrators -and Nazi sympathizers- of her then and now professional and personal life again. Maybe she will gain more strength from the experience.

Endurance and courage must be Anderson's intimate friends. Her sacrifices made in standing against Nazism are respected. Subsequently they support individual and social correctness (for the betterment of society.) Her challenges in facing off with one of the most powerfully oppressing entities on the planet comes with a great enough cost to her first motherhood, career and personal life.

SOCIETY'S MAJORITY PROFIT FROM NAZISM - SILENT VOICES - DOES ANDERSON?
The shockingly cavalier attitude of the majority in today's society stinks worse than it's abandonment (Nazi sympathizers.) As long as totalitarianism disguises itself -somewhat- ruling the world with backhanded offerings of ironic freedom and wealth, the majority will sell themselves into a -seemingly- little slavery. That is, as long as they think they will profit from it at the moment. Frigging unbelievable. It's not until their deal with the devil inevitably takes their box with a decent garage via increased taxes and mortgage rates that they turn on their brain. It's not until their jobs are taken away before the retirement benefits are due that they ponder.

A society that allows itself to become the reincarnated society of WWII Germany enabling Nazi tyrants loose upon the world isn't new but it sure sucks. A lame society. Shitty and broken. It's the poor that don't have a box of their own and can't benefit from being self-deceivers who speak out. That's what makes Anderson's 2002 to 2008 [and other actors'] story so refreshingly unique. She had everything to lose by standing up but she didn't waver nor does she still.

However, it wasn't shocking when Rotten Tomato (one of old Hollywood's no. 1 rags) asked DD & GA what they could tell us about the movie. In true Nazi form, David laughingly turned to Anderson and made some tangy and delicious infused comment about the plot. Finger on the trigger Anderson remarked quite frankly, and that was that, "I got tired of fighting it."

Sweet! Yet this has got to be a huge understatement. Again, it seems not much at all has changed between David Duchvony and Gillian Anderson. It seems that the differences between them stem from: how far must one compromise with the Nazis in order to survive...sympathizer vs resistance fighter.

Even after being oppressed for years for standing against Nazism some never cave in. Naturally, history books will not recognize Anderson, nor mention and/or depict this fascist moment in our shameful current history.

[If one person unknowingly saves just one other person because something deep inside compels them to fight against the vile -especially at great personal risk- that person's life has more worth than a whole nation of complacent people.]

GILLIAN ANDERSON UNWITTINGLY BECOMES ICON FOR THOSE IN THE RESISTANCE
The upright majority recognize and are familiar with Anderson's fight against coercive corporatism. Like many of us she could have simply capitulated. The world was hers for the asking in 2002. Instead, she like others chose the path less traveled against: national and global fascism, world domination via oppression, and war profiteering and world-wide genocide. 'Let your hair down. Join the resistance'
[In dedication to the authors of The White Rose 1942/43 Germany, may their fighting kindred spirits against Fascism, Nazism and/or all forms of oppression live on vicariously through us. We commemorate their freed spirits with the very words that prematurely cost them their lives]:

"Vivre libre ou mourir!"




POST SCRIPT You can bet that old Nazi Hollywood is merely throwing together a corroded piece of horse crap. 'X-files 2.' More likely than not they're using Gillian Anderson's and the X-Files' TV series as box office appeal (their standard formula) to play the public as suckers while making themselves a quick multi-million dollar payday. You can also bet that it's only redeeming quality will be Gillian Anderson's between the lines message relating to that discussed here.

[Note: Links herein are only teasers to help induce the reader to research and study the matter.]

NEW POST:

Articles of The Brovi Statement

First Leaflet

“Fellows of the Resistance!”

We should be a ‘majority rules’ nation but instead are a forced-majority funding war after needless war via: taxes, having our young men and women killed, and the ‘Patriot Act’ [Marshal-law.] The enabling perpetrators of our nation’s silent-Nazi-coup were the majority’s Nazi-bootlicking sympathizers and the complacent: us, the until now silent upright majority. This is more than an awkward vibe. It might not go over well, the way it’s spelled out. Yet, don’t pretend everything is fine. It’s a divine moment to leave that social scene. Look alive: the large part of society’s majority (white and blue-collar workers) are Nazi sympathizers, selling us out.

Once, we at least had hope in having dreams and acquiring precious moments. Our rulers, who worship the Hitler regime ideology, have swallowed even that. Ask around. We don’t have to live a lie. Make up your mind. Moreover, we can’t fix what we don’t acknowledge. In this, the majority must never come in second place. Ask your neighbors.

We are The Transformers: by day, a seemingly happy -enough- accepting brain-dead, ’40 hour a week cloned-slave’ whole society [across all racial and class boundaries.] Our other self is cycling futility; living lives of mundane nothingness, via an unspoken, ‘all-encompassing’ brainwashing, mental insanity inducing 24/7/365 propaganda-media-monopoly-machine. This iron-curtain, big-gun, conditions us into make-believe: as if we live in a democratic free nation; as if our mixed-ethnic-culture or society-majority is required to hate each other and be at war with each other; as if we can only work in corporate offices and factories to survive; and most importantly as if it’s useless for the majority to resist. It takes a long time to go that far. Why let a minority of Nazis pull your strings. “...Break the wrist, walk away!” What’s our destination? It’s all because of us. Blame it on ourselves wherever we end up. “The upright majority aren’t unfaithful but we stray when we get a little scared ...run, run, run.”

It’s OK. We can admit that we have become a society-majority that lives as meat: just a means to an end, serving only the state, for a wealthy corrupt-elite-minority dictatorship. Let it rain freedom. It's alright. Go out on the patio and think about it. Our payoff for not resisting is essentially living a hand-to-mouth lifestyle, servitude and death.

‘F**k Nazis!’ is our Mission Statement. ‘The New World Order Coup’ will continue to try to threaten us with: social injustices and pointed racial and class oppressing bias; contaminated and/or depraved news, information and/or media-entertainment depriving our mental prowess robbing us of universal knowledge and wisdom; unaffordable housing, education and health care; poisoned food, water and air. Regardless, we will resist every hour; we will resist! Never cave. We must be born again. Golden. We must grasp brotherly love and be compelled to learn to appreciate our differences of mixed cultures, lifestyles and classes as a majority society. We must communicate and council amongst each other through racial and lifestyle differences, and blocked media avenues in order to bring our masses’ overwhelming numbers to bear immediately.

Though, as long as there are people to govern, there will be injustice in the places of justice and wickedness in the places of righteousness but must we be so graciously abiding to the corrupt? We are this generation and the walk has fallen to us. We accept our position with vibrant, thirsty enthusiasm. We are ‘The Fight Club’ of this generation! Resistance is our inherent calling card and resist we shall. Make a stand. Fight for what you believe in. Who’s stopping you?

Again, and again if need be, it’s ‘vital’, ‘imperative’ that we, the all-class all-race majority, open up any and all non-mainstream, innovative means of communication amongst ourselves. The first prime objective?: the next time you pass a person of any race, lifestyle or class, even brainwashed corp-types, say ‘hey’, ‘what’s up’, hello’, ‘nice day’ and/or the like. Our walls amongst ourselves must come down so we can talk and council within our own small local communities becoming one booming voice, awakening the sleeping giant: the majority! Let’s change our look.

Remember. Crisis naturally brings people together. Thing is, we must know a crisis-situation when it’s upon us. It may seem to be a minor thing when a calm sea in a clear sky begins quickly receding, which is in actuality an early enough warning sign of impending perfect tragedy. It can’t be all good. We’re swimming way out in a sea of our own silent voices. In spite of this, we can still laugh and joke around and have a good time in the resistance. Why not use our hard-earned money and lives for ourselves, not for the states’ hobby war-machine?

Taking ‘hello’ further, the next resistance assignment is: open, loud discussions about real, today’s news: electing administrators whose first primary platform for consideration for election is: taking back control of the fine arts, especially oil painting [the hidden root of free press and freedom of speech.] Whoever controls this arena and at this level inevitably controls our arts/media on a national level mirroring the nation’s overall smaller governing societies. In time, this will stop the five merging media monopolies Nazi-iron-curtain. Taking back control resides and begins at the seemingly insignificant, least important local city council levels. Further take this loud, free and open discussion to your local coffee shops, websites and blogs, even the water cooler at your slave-job, distributing leaflets such as the one you are reading, in office buildings, laundrymats, fast-food joints, etc. We try to do our best.

Gather up ‘ye young honorable men.’ And, let all upright and able-bodied young women resist because where these go the men will follow. It’s the exceptional common that keep goodness safe for the reformation of society. Being choked by an arts/media monopoly kills our voice, makes a dumb downed society, and holds us hostage. In this, a corrupt wealthy minority, elite bootlickers: talk over us; tell us what is and what will be; and tell global society and us that it’s our voice, not their’s. Frankly this will not do. No matter how loud Nazis shout they will not drown out the voice of the people. In our Babylon it’s time for the recovery; time to learn how to speak to one another again. Is there something you want to say...if we could do it all over again...

To date, US’ Middle Eastern War Stats on all sides.: all combined killed and maimed is 1,233,176+. This equates to having the whole city of Dallas, TX wiped off the map and the entire city of Portland, OR maimed.

Note: there are two rules for the passive Brovi resistance:
1.Never talk about the resistance
2.Never talk about the resistance

“Free Your Mediums!”
“Let your hair down. Join the Resistance.”

May their freed spirits live on vicariously through us. In dedication to the authors of ‘The White Rose’ and others, we commemorate these with the very words that prematurely cost them their lives: “Vivre libre ou mourir!”

(see other news by 'brovi')

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brovi: 'X-Files 2' Gillian Anderson vs. Nazis

brovi says: Gillian Anderson Fights Bush Hollywood Regime - Nazis

brovi says: 'X-Files 2' Gillian Anderson vs. Nazis!